ENGL 631                                                                                           Prof. Hoagwood          

Fall 2006                                                                                              BL 204B

T 6-9    BL 202                                                                                    <t-hoagwood@tamu.edu>

 

Syllabus

 

Course Description:  “Early Nineteenth-Century Literature.  British literature and culture of the early nineteenth century, including English and colonial poetry, fiction, drama, and essays to be studied in relation to the history of the period and its visual art, philosophy, political thought, sexual politics, book arts, and social history” (Texas A&M University Graduate Catalogue).

 

Texts:

 

Romanticism: An Anthology.  Third edition.  Ed. Duncan Wu.  Blackwell, 2006.

     ISBN 1405120851

Sydney Owenson.  The Missionary: An Indian Tale.  Broadview Press, 2002. 

     ISBN 1551112639

 

Online editions:

 

Richard Polwhele, Unsex’d Females, 1798 <http://etext.virginia.edu/britpo/unsex/unsex.html>

William Hone, The Political House That Jack Built, 1820 <http://www.rc.umd.edu/editions/hone/coverp.htm>

L.E.L.’s “Verses” and THE KEEPSAKE FOR 1829. <http://www.rc.umd.edu/editions/lel/index.html>

Mary Darby Robinson, A Letter to the Women of England on the Injustice of Mental

             Subordination, 1799.  <http://www.rc.umd.edu/editions/robinson/cover.htm> 

Mary Robinson. Sappho and Phaon <http://etext.virginia.edu/britpo/sappho/sappho.html>

Tennyson, “The Lady of Shalott,” “The Palace of Art,” “The Lotos-Eaters”

            <http://rpo.library.utoronto.ca/display/index.cfm>

 

Online visual art:

 

John Martin, The Bard

The Keepsake for 1829

Henry Fuseli, The Nightmare

John Hamilton Mortimer, Pale Horse

James Gillray, The King of Brobdingnag, and Gulliver  

James Barry, The Phoenix, or the Resurrection of Liberty

William Blake, Songs of Innocence and of Experience

William Blake, Visions of the Daughters of Albion

William Holman Hunt, “The Lady of Shalott” (painting)

William Holman Hunt, “Lady of Shalott,” (engraving)

 John William Waterhouse, Lady of Shalott

 

Requirements:

 

Attendance and participation at each weekly meeting.  For excused absences and late work or

 make-up work, see Texas A&M University Student Rules <http://student-rules.tamu.edu/>.

Thirteen Short Weekly Papers.

 Research paper.

 

Short Weekly Papers: On each of the evenings when literary works are scheduled for discussion, you should bring a one-page paper (plus documentation) in which, quoting one or more of the works scheduled for discussion, you pose a specific question about the interpretation and meaning of the work.  Your question may or may not be about authorial intention: your question may be about the literary, artistic, social, or historical relationships of the work or works about which you write.  You may (but are not required to) cite a scholarly or critical study of the work; one frequently useful sort of question contrasts conflicting views of a particular passage, point, or work.  Your paper may or may not include an accompanying visual illustration: each illustration should be discussed in the body of your paper, and each should be printed with a caption identifying the artist, title, and date of the work as well as your source for the image.  Each illustration should appear on a separate page, affixed to the back of your paper.  For the form of your papers, see Documentation, below.

 

Research Paper: Your research paper should be an essay suitable for submission to one

of the Recommended Periodicals listed below.  10-20pp. plus documentation. 

See Documentation, below.  Visual illustrations are optional.

 

Grades:

Short Weekly Papers   50%

Research Paper            50%

 

Honor Code: 

<http://student-rules.tamu.edu/aggiecode.htm>

 

Services for Students with Disabilities: <http://disability.tamu.edu/>

 

Documentation:

In all of your writing in this course, you should follow MLA style or Chicago style for all matters of form including documentation.  PMLA and many journals use MLA style.  Most scholarly books and many journals use Chicago style, for which professional editors use The Chicago Manual of Style, but you will find all you need for your papers in any of the handbooks by Kate Turabian (all of which explain and illustrate Chicago style), in a variety of freshman-English handbooks, and in a number of academic Web sites including our own University Writing Center’s online resource, <http://writingcenter.tamu.edu/content/view/131/74/>, and other sites including <http://www.wisc.edu/writing/Handbook/DocChiNotes_1stRef.html>.

 

8/29: Introduction to the course and materials.

 

 

9/5:  Burke, Reflections on the Revolution in France; Paine, The Rights of Man; Wollstonecraft,

             Vindication of the Rights of Men; James Barry, The Phoenix, or the Resurrection of

             Liberty, an image available at <www.englit.ed.ac.uk/.../ sm_declaration.htm>; Jacques-

Louis David, Death of Marat, an image available at <http://www.abcgallery.com/D/david/david7.html>

 

 

9/12:  Wollstonecraft, Vindication of the Rights of Woman; and Mary Robinson [attrib.], A Letter

             to the Women of England, on the Injustice of Mental Subordination, full text available at

             <http://www.rc.umd.edu/editions/robinson/cover.htm>; and Richard Polwhele, Unsex’d

             Females, full text available at <http://etext.virginia.edu/britpo/unsex/unsex.html>.

            Mary Robinson, Sappho and Phaon <http://etext.virginia.edu/britpo/sappho/sappho.html>

 

9/19:  William Blake, Songs of Innocence and of Experience and Visions of the Daughters of

                                     Albion.  Both available at <http://www.blakearchive.org/blake/>.

Henry Fuseli, The Nightmare <http://www.uic.edu/depts/ahaa/classes/ah111/L26/26-25.jpg>.

            John Hamilton Mortimer, Death on a Pale Horse

                        <www.tate.org.uk/.../rooms/room7_works.htm>.

            Recommended for this evening’s discussion:  selections amongst the emblem

                        literature available at <http://emblem.libraries.psu.edu/catalog.htm>.

 

9/26:  Lyrical Ballads 1798 plus 1800 Preface and Wordsworth’s “Michael”

 

10/3:  Wordsworth, The Prelude (excerpts) and Coleridge, “Frost at Midnight,” France: An Ode.”

 

10/10:  Ann Yearsley, A Poem on the Inhumanity of the Slave Trade, and Hannah More,

                         “Slavery: A Poem.”      Anna Barbauld, Eighteen Hundred and Eleven.  James

                         Gillray, The King of  Brobdingnag, and Gulliver

             <http://www.nypl.org/research/chss/spe/art/print/exhibits/gillray/captions/images/90.jpg>.

 

10/17:  Sydney Owenson, The Missionary: An Indian Tale.

 

10/24:  John Martin, The Bard, an image available at <http://www.wga.hu/index1.html>; and

            Byron, Childe Harold’s Pilgrimage, Canto 3.

10/31:  Shelley, “England in 1819,” “A Mask of Anarchy,” “Ozymandias,” and “Ode to the West

                         Wind.”  William Hone, The Political House That Jack Built, 1820.  Full text and

                         images available at <http://www.rc.umd.edu/editions/hone/coverp.htm>.

 

11/7:  Shelley, Prometheus Unbound.

 

11/14:  John Keats, Lamia and Keats’s odes of 1820.

 

11/21:  Felicia Hemans, Records of Woman.

 

Thanksgiving holiday is November 23.

 

11/28:  L.E.L. [Letitia Elizabeth Landon], “Verses” and “Stanzas on the Death of Mrs. Hemans”;

             Elizabeth Barrett Browning, “Stanzas Addressed to Miss Landon, and suggested by her

             'Stanzas on the Death of Mrs Hemans'”; Tennyson, “The Lotos-Eaters” and “The Lady of

             Shalott”; William Holman Hunt, “The Lady of Shalott,” an image of a painting available

             at <http://faculty.stonehill.edu/geverett/rb/huntlady.jpg>; Hunt, “Lady of Shalott,” image

             of an engraving, available at <http://artchive.com/artchive/H/hunt/hunt_shalott.jpg.html>;

 John William Waterhouse, Lady of Shalott, image available at <http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=15984>.

 

12/5:   No class meeting; students attend their Thursday classes.

 

 

 


 

Library Reserve List:

 

M. H. Abrams, The Mirror and the Lamp

----------, Natural Supernaturalism

Marilyn Butler, Romantics, Rebels, and Reactionaries: English Literature and Its Background,

             1760––1830

Stuart Curran, Poetic Form and British Romanticism

----------, ed.  Cambridge Companion to British Romanticism

Paul de Man, The Rhetoric of Romanticism

William Doyle, The Oxford History of the French Revolution

Tim Fulford and Peter Kitson (eds.), Romanticism and Colonialism: Writing and Empire,

             1780––1830

Terence Hoagwood and Kathryn Ledbetter, “Colour’d Shadows”:  Contexts in Publishing,

             Printing, and Reading Nineteenth-Century British Women Writers

Eric Hobsbawm, The Age of Revolution: Europe 1789-1848

Gary Kelly, Women, Writing, and Revolution

Jerome J. McGann, The Romantic Ideology

----------, The Beauty of Inflections

----------, The Poetics of Sensibility: A Revolution in Poetic Style

Christopher John Murray, ed. Encyclopedia of the Romantic Era

G. A. Rosso and Daniel P. Watkins, Spirits of Fire

Orrin Wang, Fantastic Modernity

David Worrall, Radical Culture

 

 

Recommended Periodicals:

 

The Wordsworth Circle.  The autumn issue includes reviews of new books on Romantic-period

             literature.

Keats-Shelley Journal.

Byron Journal.

Studies in Romanticism.

Romanticism on the Net (online)

Romantic Circles (a multitude of scholarly sites, online).

SEL: Studies in English Literature.  The autumn issue includes an omnibus review of new books

             on nineteenth-century English literature.

Nineteenth-Century Contexts.

European Romantic Review.  Includes articles on British and Continental Romanticism.